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Paul Walker, meanwhile, doesn’t really act in Fast and the Furious, but neither does he not act-his performance is somehow unrealistic and naturalistic at the same time.

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She is the only driver in the films who makes driving feel as scary and irrational as it really is.

No one broods or snarls her lines quite like Rodriguez-not even Diesel-and no one does more to ground the escalating absurdity of these films in something approaching emotional realism.

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Tough and focused, she is an unusual screen presence in a series full of unusual screen presences.

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Michelle Rodriguez, who plays Letty, Dom’s girlfriend and fellow hijacker/racer, doesn’t have enough to do, but it’s impossible to imagine this movie or any of the others without her. Jordana Brewster as Mia, Dom’s sister and Brian’s girlfriend, makes the best of an underwritten part. The small roles are well cast, with the exception of Ja Rule, unpersuasive and in need of a booster seat. In spite of this, The Fast and the Furious is a joy to watch, thanks to its young and inexperienced actors. The series did not actually master its raison d’etre until the third film, Tokyo Drift, only to back away from racing and chase scenes soon after. There are endless close-ups of surging speedometers and tachometers and CGI renderings of NOS-the alchemical, quasi-fictional nitrous-oxide compound that functions as the series’ healing elixir and deus ex machina-but until the final showdown between Dom, Brian, and a rapidly moving train, there is no sense of space, and thus very little tension. The director, Rob Cohen, told Complex, “I didn’t want to know how speed looked, I wanted to know how speed felt.” The movie suggests he did not find out. Nothing in the film approaches the workaday, canonical chase in Bullitt, or even the jagged energy of The Bourne Supremacy. The cars are great (cheap, reliable Japanese models emboldened by new hardware, flashy paint, and ground effects), the plot half-assed ( Point Break with driving instead of surfing), the racing sequences-sadly-embarrassing. The LA of The Fast and the Furious is a cliché: hazy orange and yellow and nowhere near as grand as in the great LA action movies, like Die Hard or Speed. The action has been moved from New York to Southern California, birth place of street racing. Only cops have cell phones- hijackers, never. This how Dom, a hijacker, realizes that Brian is a cop. The climax of the film takes place when Paul Walker’s Brian O’Conner pulls out a cell phone. The music-twitchy electronica, chugging rap-rock-is as awful and banal as music was back then.

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For those ten seconds or less, I’m free.īreezy and silly, the film is one of the last artifacts of the long Nineties, free of the portentousness that seized Hollywood after September 11.

Nothing else matters: not the mortgage, not the store, not my team and all their bullshit. Speed excites us.” It is not a big leap from this to the film’s iconic line, delivered by Dominic Toretto, Vin Diesel’s character, in his thick, macadamized growl: “Another group gets excitement from doing drugs or whatever. “The excitement of going fast is like nothing else,” says one of the article’s young amateur racers. The screenwriters-Gary Scott Thompson, Eric Bergquist, and David Ayer-adapted a 1998 Vibe article about street racing in Washington Heights.

It certainly wasn’t conceived as the start of a massively lucrative franchise. Though it took its name from a 1955 Roger Corman noir, it was neither a remake nor a reboot. This 4K version of the deleted Joker scene certainly highlights how much intricate detailing has gone into creating the new iteration of the Joker in Reeves' film, who is severely scarred from events that are so far unclear. This small tease of Keoghan's performance has had many calling for the Eternals star to feature as the key antagonist in the upcoming sequel, however at this stage, Reeves has yet to confirm his exact plans for the character. While it remains to be seen what the future holds for Keoghan's Joker, the overwhelming response to The Batman's deleted scene will likely bode well for his future within Reeves' newly forming DC universe.The Fast and the Furious was released in June 2001, on the second day of summer. After its release, Keoghan took to Twitter to honor all of the previous actors who have portrayed this notoriously dark character, and share how blessed he feels to be taking on such a coveted role. Reeves recently revealed that conversations are already happening about a sequel following the enormous success of The Batman, with the director teasing a number of potential avenues that The Batman 2 could venture down. The release of The Batman's deleted Joker scene certainly caused a frenzy across social media, with many excited for what this could possibly mean for The Batman 2.